Spring Exceptionelle
Lot 380:
Description
Keywords: Art Glass, Tiffany Studios, Peony Border, Leaded Glass, Bronze Lamp, Early 20th Century Lighting, American Design, Stained Glass Shade, Louis Comfort Tiffany, Decorative Arts, Antique Floor Lamp, Collectible Lighting, Gilded Age Interior, Tiffany New York
Summary:
Wonderful Louis Comfort Tiffany Peony Floor Lamp, Signed Tiffany Studios New York 1574 on the shade and Tiffany Studios New York on the art nouveau bronze base. The iconic Peony Border floor lamp features a domed leaded glass shade with vibrant red, pink, and white peonies against lush green foliage, mounted on a patinated bronze telescopic base with spiral motif. Circa 1910. A Tiffany peony floor lamp is on display in the American wing of the Metropolitan Museum in New York
Louis Comfort Tiffany Peony Floor Lamp:" Literature: Margaret K. Hofer and Rebecca Klassen, The Lamps of Tiffany Studios: Nature Illuminated, New York, 2016, p. 105 (for similar shade) Alastair Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2019, p. 228, no. 891 and 225, no. 894 and 896 (for the shade); 224, no. 877 and 225, no. 878 (for the base)
Measurements: Lamp all inclusive: 77 1/2 x 24 in. (196.9 x 61 cm.), Lamp Base: 70 x 17 in. (177.8 x 43.2 cm.), Shade: 13 5/8 x 24 in. (34.6 x 61 cm.)
Condition: All descriptions and statements are our opinions and are not guarantees. Bidders are encouraged to carefully review all photographs and, when possible, to examine items in person prior to bidding. By placing a bid, you acknowledge and agree to the Terms and Conditions of Sale.
All items are sold as is and may show signs of age, use, wear, or prior restoration. Photographs form an integral part of each lot’s description. The absence of a condition report or notation does not imply that an item is free from defects or in perfect condition.
Clocks and watches are not guaranteed to be in working order. We strongly recommend that all vintage lighting be professionally rewired prior to use.
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Accordingly, all works are offered and sold as is and as attributed to the artist or maker named in the description. These attributions reflect our best professional judgment and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered. Attributions remain open to future scholarly research or professional evaluation that may further establish a work’s art-historical or market significance.
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