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Jean Carzou Pencil-Signed Lithograph 99/100 From Small Limited Edition

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Start price: $150

Estimated price: $300 - $1,200

Buyer's premium:

Description

Keywords: NO RESERVE, vintage, lithograph, signed print, surreal interior, figural composition, modern print, framed artwork

Summary:

Jean Carzou lithograph on paper, dated 1968. Pencil signed lower right and numbered 99/100 lower left. Presented in a frame under mat.

In 1939, Carzou had his first one-man show in Paris and he took the City of Lights by storm. It did not take him long to become famous. He was innovative, visionary and romantic. Through his line drawings and engravings he became well known as an illustrator for some of the 20th century’s most revered writers, including Hemingway, Albert Camus, Ionesco and Rimbaud. One of the artist’s master works, completed in his 80s, was the Apocalypse of Saint Joan in the Chapel at Manosque in Vaucluse, France, which depicted not merely the passion of the saint and national hero, but the ravages of war.

Over the course of his long career, Carzou received many honors. He was a member of France’s Academie des Beaux-arts and decorated with the National Order of Merit. Other honors included three Hallmark Prizes for painting, Japan’s Education Prize, Brussells’ Grand Prize of Europe, and the Grand Prize of the Ile de France. In 1976 Carzou became the first living artist to have his work appear on a French postage stamp

(presents well. Not examined out of frame. Frame with light surface wear, rubbing, and minor losses.)

Measurement: Visible: 13 1/2 x 20 1/2 in. (34.3 x 52.1 cm.), Frame: 19 1/2 x 26 1/2 in. (49.5 x 67.3 cm.) approx

Condition: All descriptions and statements are our opinions and are not guarantees. Bidders are encouraged to carefully review all photographs and, when possible, to examine items in person prior to bidding. By placing a bid, you acknowledge and agree to the Terms and Conditions of Sale.

All items are sold as is and may show signs of age, use, wear, or prior restoration. Photographs form an integral part of each lot’s description. The absence of a condition report or notation does not imply that an item is free from defects or in perfect condition.

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Accordingly, all works are offered and sold as is and as attributed to the artist or maker named in the description. These attributions reflect our best professional judgment and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered. Attributions remain open to future scholarly research or professional evaluation that may further establish a work’s art-historical or market significance.