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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 237:

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Joan Miro, 'Personnage et Oiseaux' Signed 1965 Color Pochoir Print - No Reserve

Live auction will start in __ days and __ hours

Start price: $100

Estimated price: $200 - $400

Buyer's Premium:

Description

Keywords: Surrealism, Modern Art, Spanish Art, Catalan Art, Abstract, Color Pochoir, Mid-Century Modern, Pierre Matisse Gallery, Figural, Birds, 20th Century

Summary:
Joan Miró (Spanish, 1893–1983), Personnage et Oiseaux, color pochoir print on paper. According to the verso label, the work was produced in 1965 based on earlier 1963 designs and published by Pierre Matisse Gallery in an edition of 1,200. With a ‘Miró’ signature at the lower left. The composition features Miró’s characteristic biomorphic figure and bird imagery rendered in bold black forms with vivid red, yellow, blue, green, and violet. Signed lower left.

Verso label identifies the work as a 1965 pochoir and lists provenance including Pierre Matisse Gallery and Adele E. Shepard.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 12 1/4 x 8 1/2 in. (31.1 x 21.6 cm.), Frame: 22 x 18 in. (55.9 x 45.7 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.