logoooo

THE FALL EXCEPTIONELLE SALE DAY 2

Lot 872:

prev Back to the catalog next

Nina Kogan (attrib) Russian Avant-Garde Geometric Abstract Watercolor and Gouache - No Reserve

Live auction will start in __ days and __ hours

Start price: $400

Estimated price: $600 - $1,200

Buyer's Premium:

Description

Keywords: Nina Kogan, Nina Osipovna Kogan, Russian Art, Russian Avant-Garde, Suprematism, Futurism, Geometric Abstraction, Abstract, Watercolor, Gouache, Works on Paper, Modernism, Constructivism, Geometric Composition, Early 20th Century, Russian School

Summary:
Nina Osipovna Kogan, Russian (attrib) Watercolor Gouache Painting on paper, Abstract, Russian School, Polychrome suprematist, futurist Orphist geometric composition.

NOTE: Decades of suppression under Stalin and the promotion of official Socialist Realism forced many to hide abstract, futurist, cubist, and avant guarde works. They were brought out of the country by those who could or put into secret storage. Many of these early abstract and futurist works that are found, no longer have documentation of their history.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Visible: 14 1/2 x 11 1/2 in. (36.8 x 29.2 cm.), Frame: 21 x 17 in. (53.3 x 43.2 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.