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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 442:

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Theophile Alexandre Steinlen Reclining Female Nude Charcoal and White Chalk Drawing

Live auction will start in __ days and __ hours

Start price: $700

Estimated price: $1,000 - $1,500

Buyer's Premium:

Description

Keywords: Early 20th Century, painting, reclining nude, female figure, charcoal drawing, white chalk, academic study, figurative drawing, seated sofa, French drawing, vintage, life study, framed drawing

Summary:
Théophile Alexandre Steinlen (1859–1923), Reclining Female Figure. Charcoal and white chalk on beige paper.

Steinlen is best known for his illustrated advertisements and iconic posters depicting cabaret and music hall performers. In his later work for illustrated journals—similar in spirit to that of Henri de Toulouse-Lautrec—his imagery became increasingly satirical and socially critical. Montmartre and its surrounding neighborhoods, where Steinlen maintained his permanent home, were recurring subjects throughout his career. He frequently depicted scenes of working-class life, capturing the rhythms of everyday Paris.

Steinlen’s works are represented in major museum collections worldwide, including the Hermitage Museum and the National Gallery of Art.

Provenance:
From the collection of M. Frédéric Stern; then sold to benefit of the Pasteur–Weizmann Institute.
Measurement: Art: 16 1/4 x 24 1/2 in. (41.3 x 62.2 cm.), Frame: 17 1/4 x 25 1/2 in. (43.8 x 64.8 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.