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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 489:

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Camille Faure Vase Signed Original Sculpted Enamel over Copper Circa 1930

Live auction will start in __ days and __ hours

Start price: $2,500

Estimated price: $4,000 - $12,000

Buyer's Premium:

Description

Keywords: Art Deco, Modernism, French Decorative Arts, Early 20th Century Design, Enamel Revival Movement, Avant-Garde Ceramics, sculptural form, vase

Summary:
Camille Fauré, Signed Sculpted Art Deco enamel over copper vase by featuring blue and white glazes arranged in a sculptural geometric motif.

Signed C. FAURÉ LIMOGES (gold, handwritten).1930’s

Bio:
Camille Fauré was a French enamel artist and entrepreneur celebrated as one of the most innovative designers of the Art Deco era. Best known for his work with the Limoges pottery company, Fauré revitalized the art of enameling in the early 20th century. His workshop produced vases, bowls, and decorative objects characterized by a distinctive three-dimensional, sculptural surface achieved through multiple layers of enamel.

Fauré’s geometric and stylized floral designs—renowned for their vibrant color and depth—remain among the most admired examples of French Art Deco craftsmanship.
Mesaurements: 10 x 6 x 6 in. (25.4 x 15.2 x 15.2 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.