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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 586:

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Nicola Simbari, 'Maura', Signed Large Oil Painting, 1981 with Wally Findlay Gallery COA - No Reserve

Live auction will start in __ days and __ hours

Start price: $2,500

Estimated price: $4,000 - $6,000

Buyer's Premium: 25%

Description

Keywords: Italian Art, Modern Art, Figurative, Female Figure, Woman, Abstract Figurative, Expressionism, Colorist, 1980s Art

Summary:
Nicolas Simbari (Italian, 1927–2012), Maura, 1981.Large oil on canvas depicting a female figure against a vibrant abstracted interior of an artist’s studio, rendered in bold areas of blue, orange, yellow and white. Signed ‘Simbari’ lower right. Canvas also stamped 1983 Nicola Simbari verso. Accompanied by a Wally Findlay Galleries International, Paris Certificate of Guarantee identifying the work as Maura and confirming its inclusion in the artist’s original body of work, dated 1983. Findlay Galleries opened its luxurious Paris facility in 1971, this well respected firm has been in business for over a 150 years.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 35 x 45 1/2 in. (88.9 x 115.6 cm.), Frame: 37 1/2 x 48 1/4 in. (95.3 x 122.6 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.