Spring Exceptionelle
Lot 32:
Description
Keywords: Empire Style, Neoclassical, Egyptian Revival, Napoleonic Era, French Decorative Arts, 19th Century Design, Pierre-Philippe Thomire Style, François Remond Style, Claude Galle Style, Marble, Ormolu Mounts
Summary:
Empire style Napoleon III period desk clock in gilded and chiseled bronze, featuring a sphinx figure supporting a lyre surmounted by an eagle with outstretched wings. The circular white enamel dial is adorned with Roman numerals. The piece rests on a rectangular veined green marble base.
Measurement: 11 x 3 1/4 x 6 1/4 in. (27.9 x 8.3 x 15.9 cm.) approx
Condition: All descriptions and statements are our opinions and are not guarantees. Bidders are encouraged to carefully review all photographs and, when possible, to examine items in person prior to bidding. By placing a bid, you acknowledge and agree to the Terms and Conditions of Sale.
All items are sold as is and may show signs of age, use, wear, or prior restoration. Photographs form an integral part of each lot’s description. The absence of a condition report or notation does not imply that an item is free from defects or in perfect condition.
Clocks and watches are not guaranteed to be in working order. We strongly recommend that all vintage lighting be professionally rewired prior to use.
Unless explicitly stated, items do not include certificates of authenticity, provenance documentation, or other supporting materials.
As with other galleries reselling works, we are not authorized to issue Certificates of Authenticity. Such certificates may only be issued by artists, makers, or galleries representing and selling works directly from the artist or estate, when authorized to do so. Due to liability considerations, many artist foundations and estates no longer provide authentication services.
Accordingly, all works are offered and sold as is and as attributed to the artist or maker named in the description. These attributions reflect our best professional judgment and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered. Attributions remain open to future scholarly research or professional evaluation that may further establish a work’s art-historical or market significance.
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