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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 110:

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Paul Desire Trouillebert, Landscape Signed French Barbizon 19th Century Oil Painting - No Reserve

Live auction will start in __ days and __ hours

Start price: $400

Estimated price: $800 - $1,200

Buyer's Premium:

Description

Keywords: Barbizon School, French School, Landscape, Woodland, Forest, Birch Trees, Cattle, Pastoral, Rural Landscape, Naturalism, Tonalism, Plein Air, 19th Century, French Art, Gilt Frame

Summary:
Paul-Désiré Trouillebert (French, 1829–1900). Oil on canvas depicting a pastoral woodland landscape with slender birch trees rising from a grassy clearing beneath an atmospheric cloud-filled sky. Cattle graze among the rocks and vegetation at right.

Signed “Trouillebert” lower right. The reverse retains an old handwritten identification label reading “Trouillebert (Paul Désiré), né à Paris 1829–1900.” Presented in an elaborate giltwood and composition frame with layered foliate and molded decoration.

Trouillebert was a French painter best known for landscapes, particularly woodland and river scenes influenced by the Barbizon School. Although also active as a portrait and genre painter, his atmospheric landscapes became the most recognized portion of his oeuvre.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 28 3/4 x 36 in. (73 x 91.4 cm.), Frame: 37 1/2 x 46 in. (95.3 x 116.8 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.