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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 15:

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Karl Pierre Daubigny, Storm Landscape Signed Oil Painting on Panel, 19th Century

Live auction will start in __ days and __ hours

Start price: $700

Estimated price: $800 - $1,600

Buyer's Premium:

Description

Keywords: French School, Barbizon School, Charles François Daubigny, Landscape Art, Storm Landscape, River Landscape, French Landscape, 19th Century Art, Oil On Panel, Gilt Frame, Romantic Landscape, Rural Landscape, European Art

Summary:
Karl Pierre Daubigny (French, 1846–1886) 19th century oil on panel landscape painting depicting a dramatic rural river landscape beneath a stormy, cloud-filled sky. Signed lower right and presented in an ornate gilt frame with artist name plaque.

Karl Pierre Daubigny was the son of the highly regarded French landscape painter Charles François Daubigny. Taught by his father and embracing a similar aesthetic, Karl Daubigny traveled throughout the French countryside painting landscapes and river views.

Works by Karl Daubigny are represented in museum collections including Aix: Le Retour de la Peche; Amiens: Les Dunes de Saint-Quentin; Bayonne: Paysage; Berlin: Paysage; Brest: Bord de l’Oise, 1873, and Bords de la Seine; Honfleur: Paysage; and Le Havre: Vue de riviere, among others.
Measurement: Art: 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm.), Frame: 12 3/4 x 15 1/2 in. (32.4 x 39.4 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.