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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 162:

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Pablo Picasso, 'Jacqueline en Amazone' Hand Signed 1961 Color Lithograph - No Reserve

Live auction will start in __ days and __ hours

Start price: $600

Estimated price: $2,000 - $4,000

Buyer's Premium:

Description

Keywords: Toros Y Toreros, Jacqueline Roque, Color Lithograph, Offset Lithograph, Éditions Cercle D’Art, Spanish Art, French Art, Modern Art, Modernism, Equestrian, Horse, Female Rider, Figurative Art

Summary:
Pablo Picasso (Spanish, 1881-1973), Jacqueline en Amazone, color offset hand signed lithograph after a drawing from Picasso’s Toros y Toreros series. The work depicts Jacqueline Roque as an equestrian figure riding a rearing horse, rendered in blue, green, violet, black and white.

Jacqueline en Amazone was published by Éditions Cercle d’Art, Paris, in 1961 as part of Toros y Toreros, these are described as color lithographs or color offset lithographs after a series of Picasso’s drawings which were originally created in March 1959 and and were part of a sequence of drawings depicting Jacqueline on horseback

Dated in the image upper right and with a blue Hand Signed ‘Picasso’ signature at lower right;

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Visible: 17 1/2 x 11 1/2 in. (44.5 x 29.2 cm.), Matting: 23 x 17 in. (58.4 x 43.2 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.