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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 176:

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George Davidson Group of 3 Renaissance Revival Gouache Paintings - No Reserve

Live auction will start in __ days and __ hours

Start price: $70

Estimated price: $150 - $300

Buyer's Premium:

Description

Keywords: Knights, Medieval Scenes, Mounted Processions, Banner Bearers, Muralist Artist, Historical Scenes, Unframed Artwork, 20th Century Art

Summary:
George Davidson (American, 1889–1965). Group of three gouache paintings on board depicting Renaissance revival scenes of knights, banners, and mounted processions. Versos bear artist sketching and paper supplier labels, including Winsor & Newton and L. Olivieri, Roma. Unframed, with edge wear and toning consistent with age.

Bio: George Davidson was a noted muralist and illustrator, awarded a Medal of Honor for mural painting by the New York Architectural League in 1926. He was a member of the Mural Painters Society and was elected to full membership in the National Academy in 1942.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Largest: 13 1/4 x 18 3/4 in. (33.7 x 47.6 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.