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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 191:

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Vladimir Lebedev, 'Female Soldier with Garter Belt' Gouache and Crayon on Paper - No Reserve

Live auction will start in __ days and __ hours

Start price: $800

Estimated price: $1,000 - $2,000

Buyer's Premium:

Description

Keywords: Russian Artist, Soviet Art, Russian Avant-Garde, Figurative Art, Woman, Samovar, Tea Service, Gouache, Crayon, Works On Paper, Modernism, Russian Modernism, 20th Century Art, Interior Scene

Summary:
Vladimir Vasilievich Lebedev *Female Soldier with Garter Belt, gouache and crayon on Paper

The name of the Russian Soviet artist Vladimir Vasil’evich Lebedev (1891–1967) is world-renowned. Lebedev was one of the most versatile artists of the Russian avant-garde. He was the author of ingenious graphic works, an experimental painter, a discoverer of new approaches in poster creation, and a master of theater decoration. The flowering of his creative activities took place during the most brilliant period in the history of Soviet art—the 1920s. This time of revolutionary transformation in Russian society coincided with the moment of the blossoming in art of the Russian avant-garde, when the search for a new figurative language took place.
Soldier with garter belt
Mixed media on paper

34.5 x 24 cm à vue la feuille

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Visible: 13 1/2 x 9 1/2 in. (34.3 x 24.1 cm.), Frame: 19 x 15 in. (48.3 x 38.1 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.