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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 353:

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Max Zander, 'Swans in the Winter Park' Oil Painting, Signed, 20th Century - No Reserve

Live auction will start in __ days and __ hours

Start price: $200

Estimated price: $300 - $600

Buyer's Premium:

Description

Keywords: German Art, Düsseldorf School, Winter Landscape, Swans, Black Swans, Winter Park, Snow Scene, Landscape Painting, German Modernism, Impressionist, Oil Painting, Signed Painting, European Art, 20th Century

Summary:
Max Zander (German, 1907-1985), Swans in the Winter Park, oil on canvas. Winter landscape depicting a pond populated by white and black swans, surrounded by snow-covered banks and bare trees, with architecture visible beyond the water.

Zander was born in Barmen in 1907 and became associated with Düsseldorf, studying with artists in Düsseldorf, Dresden and Munich and undertaking extended study in Paris. He was also a member of the Düsseldorf artists’ association Malkasten. His documented oeuvre includes landscapes, city views and winter scenes.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 20 x 23 3/4 in. (50.8 x 60.3 cm.), Frame: 25 1/4 x 29 1/4 in. (64.1 x 74.3 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.