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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 439:

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Jean-Gabriel Domergue Maritime Watercolor and Gouache Painting, Circa 1920, Signed

Live auction will start in __ days and __ hours

Start price: $2,000

Estimated price: $2,500 - $3,500

Buyer's Premium:

Description

Keywords: Jean-Gabriel Domergue, French Art, Art Nouveau, Art Deco, Maritime Scene, Sailing Ships, Wall Art, Fine Art, Picture Early 20th Century, Marine Art, French Impressionism, Framed Artwork, Nautical Decor, Harbor Painting, Stormy Sky

Summary:
Jean-Gabriel Domergue signed Maritime watercolor and gouache on paper by Jean-Gabriel Domergue (1889–1962), depicting an active harbor scene.

Artist Bio:
Jean-Gabriel Domergue was born on March 4, 1889, in Bordeaux, France, and became a renowned French painter celebrated for his distinctive portrayals of Parisian women in the 1920s. Often referred to as the “inventor of the pin-up, ” Domergue specialized in elegant portraits of Parisian ladies.

He studied at the École nationale supérieure des Beaux-Arts and began exhibiting at the Salon des Artistes Français at the age of seventeen in 1906. In 1911, he received the second prize for the Prix de Rome and won the gold medal in 1920.

From the 1920s onward, Domergue devoted himself to painting the “Parisian lady.” Many of these works featured nudes, and he famously described himself as “the inventor of the pin-up.” Domergue’s women were characterized by their slender, graceful figures, swanlike necks, and wide, expressive eyes that conveyed a sense of allure and sophistication.
Measurement: Art: 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm.), Frame: 11 3/4 x 15 in. (29.8 x 38.1 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.