logoooo

THE FALL EXCEPTIONELLE SALE DAY 1

Lot 60:

prev Back to the catalog next

Jane Baldwin, 'Carnival' Reclining Woman Signed Woodcut and Etching - No Reserve

Live auction will start in __ days and __ hours

Start price: $100

Estimated price: $200 - $400

Buyer's Premium:

Description

Keywords: American Prints, Works on Paper, Woodcut, Etching, Carnival Scene, Ferris Wheel, Figurative Art, Reclining Woman, Limited Edition, Artist Signed, Konrad Cramer, Woodstock Art

Summary:
Group of two works on paper comprising a bold woodcut or linocut titled Carnival, depicting an elevated view of tents, crowds, and a Ferris wheel. Pencil signed ‘Jane Baldwin’ at the lower right, titled and numbered 2/10 at the lower left, with an ‘MB’ monogram within the image.

The second a Konrad Creamer, etching depicting a reclining woman dressed in a fur-trimmed garment. The sheet with a partially visible ‘Konrad Cramer, Woodstock’ estate collection stamp along the lower margin.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Smallest: 8 1/2 x 6 in. (21.6 x 15.2 cm.), Biggest: 8 x 11 in. (20.3 x 27.9 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.