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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 90:

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Theodore Gerard, Floral Still Life Signed Oil Painting - No Reserve

Live auction will start in __ days and __ hours

Start price: $900

Estimated price: $1,500 - $2,500

Buyer's Premium:

Description

Keywords: Belgian Art, Floral Still Life, Flower Arrangement, Vase, 19th Century Art, Oil On Canvas, Signed Painting, Academic Painting, Decorative Interior, Roses, Lilies, Framed Painting

Summary:
Théodore Gérard floral still life oil on canvas painting depicting a bouquet of flowers arranged in a decorative vase, with additional blossoms and leaves resting on the tabletop. Signed lower right. Presented in an ornate gilt frame.
Theodore Gerard was an engraver and painter of genre scenes. He traveled throughout Germany, Austria and Hungary, but settled in Brussels in 1863. He taught painting at the Academy of Fine Arts in Brussels. He was awarded medals at exhibition in Philadelphia (1870), London (1871), Vienna (1873) and Brussels (1875). Collections include : Brussels Museum, Ghent Museum, Courtrai Museum and the Antwep Museum.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm.), Frame: 34 x 28 1/4 in. (86.4 x 71.8 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.