THE FALL EXCEPTIONELLE SALE DAY 1

Eduard Kaiser, 'The Morning Hour' Signed Oil on Canvas Painting, Late 19th Century - No Reserve

Live auction will start in __ days and __ hours

Start price: $300

Estimated price: $300 - $900

Buyer's Premium:

Description

Keywords: Genre Scene, Interior, Romanticism, Austrian Art, German Art, Domestic Scene, Woman, Bedroom, Morning Light, 19th Century, Oil on Canvas

Summary:
Eduard Kaiser (Austrian) Oil on canvas painting The Morning Hour. Signed ‘E. Kaiser’ at the lower left. Eduard Kaiser was born in 1820 in Graz. He was the son of Joseph Franz Kaiser. He studied at the Academy in Vienna with Josef Danhauser and joined the Academic Legion in 1848. An Austrian painter and lithographer, Eduard portrayed numerous personalities of the March Revolution. He stayed in Rome from 1852-53, then returned to Vienna. He was an esteemed portrait artist for the imperial family and of Clara and Robert Schumann,

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 13 3/4 x 18 3/4 in. (34.9 x 47.6 cm.), Frame: 18 3/4 x 23 3/4 in. (47.6 x 60.3 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.