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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 98:

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Henry Thomas Schafer, 19th Century Oil Painting on Canvas - No Reserve

Live auction will start in __ days and __ hours

Start price: $350

Estimated price: $400 - $1,600

Buyer's Premium:

Description

Keywords: French Town Scene, Rodez, Cathedral, Street Scene, Market Scene, Architectural Painting, 19th Century Art, European Cityscape, Figural Scene, Gothic Architecture, Oil On Canvas, Antique Painting, Fine Art

Summary:
Henry Thomas Schafer oil on canvas painting depicting an animated view of Rodez, France. Presented in an ornate gilt frame.Henry Thomas Schäfer (British, 1854?-1915) . He was a British Victorian-era genre painter and sculptor, elected in 1889 to the Royal Society of British Artists. He exhibited at the Royal Society, the Royal Academy, the Royal Scottish Academy, and other galleries starting in 1873. Several of his paintings have been widely reproduced and distributed in the form of posters. Because of the similarity in their names and overlap in times of active work, the townscape paintings of the French artist Henri Schäfer, who also spent part of his life in Britain, are often misattributed to the British artist, and their biographical details are occasionally merged, most notably in Emmanuel Benezit, Dictionnaire Critique et Documentaire des Peintres, .

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 24 x 20 in. (61 x 50.8 cm.), Frame: 31 3/4 x 27 1/4 in. (80.6 x 69.2 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.