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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 474:

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Mason's Patent Ironstone Chinoiserie Plate, Circa 1891-1915 - No Reserve

Live auction will start in __ days and __ hours

Start price: $20

Estimated price: $50 - $100

Buyer's Premium:

Description

Keywords: Staffordshire, English Ironstone, Chinoiserie, Chinese Taste, Japonisme, Famille Verte Style, Bird and Flower, Figural, Horseback Rider, Landscape, Floral, Scallop Ground, Polychrome, Gilt Rim, Staffordshire Pottery, Victorian, Edwardian, Antique English Ceramics

Summary:
Mason’s Patent Ironstone China Staffordshire plate, circa 1891-1915. Decorated in an elaborate chinoiserie pattern with numerous shaped reserves arranged over a dense black-and-white scalloped ground.

Reverse has the printed crown and banner mark ‘Mason’s Patent Ironstone China, England, ’ together with handwritten pattern number ‘C.3362’ and an impressed number. The inclusion of ‘England’ indicates production after 1891. Mason’s designs and marks were continued during this period by G. L. Ashworth & Bros. of Hanley, Staffordshire.

Also retains an old collection label reading ‘Staffordshire Plate, 1891-1912. By Mason.’

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: 10 in. (25.4 cm.) diameter. Approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.