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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 581:

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Gianni Versace Crew Neckline Lightweight Wool Dress Lined in Purple Silk Pattern NWT - No Reserve

Live auction will start in __ days and __ hours

Start price: $200

Estimated price: $300 - $500

Buyer's Premium:

Description

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Summary:
Gianni Versace : New with tags (NWT). lightweight fine wool midi dress featuring an abstract pattern throughout in purple, blue, green, and black. Designed with a jewel/crew neckline, cap sleeves, back zipper closure, and purple silk lining. Original Gianni Versace label. New with tags (NWT).

From the Gianni Versace Spring/Summer 1991 collection, featuring an American Pop Art-inspired design. The design was exhibited as part of the Gianni Versace Retrospective in London, alongside selections from Elton John’s wardrobe. Associated with Versace’s Italian Modernist aesthetic, described as ‘Neoclassical on Steroids.’

Reference: Christopher Mason, ‘Lorenzo de Versace, ’ The New York Times, October 31, 1996, Section C, p. 1.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurements: Bust 36", Waist 27", Length 34", Shoulder to Shoulder 17" ; Cap Sleeve 7"

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.