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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 611:

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Erik Hoglund for Boda Glasbruk Yellow Art Glass Vases and Pitcher, Four Pieces - No Reserve

Live auction will start in __ days and __ hours

Start price: $100

Estimated price: $200 - $400

Buyer's Premium:

Description

Keywords: Boda Glasbruk, Kosta Boda, Swedish Art Glass, Scandinavian Glass, Swedish Modern, Scandinavian Modern, Mid Century Modern, MCM, Yellow Glass, Blown Glass, Studio Glass, Glass Vase, Glass Pitcher, Modernist Glass, Scandinavian Design, Sweden, Vintage Art Glass

Summary:
Collection of four yellow blown art glass vessels, including two marked examples attributed to Erik Höglund (Swedish, 1932–1998) for Boda Glasbruk, Sweden. The group includes a large sculptural vase with wide cylindrical mouth and pronounced horizontal ribs, a tall bottle-form vase with flared rim, a smaller bottle-form vase, and a handled pitcher with applied glass handle and pouring spout.

Two pieces bear engraved or inscribed Boda/Erik Höglund-style model markings, including ‘H 1775/25’ and ‘H 1735/30.’ The H-number designation is consistent with documented Erik Höglund glass for Boda Glasbruk; for comparison, another documented Boda vase by Höglund bears the closely related designation ‘H 1775/120.’

Erik Höglund was a major figure in postwar Scandinavian glass design, closely associated with Boda Glasbruk and known for expressive forms that departed from the restrained conventions of traditional Swedish glass.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: 5 3/4 x 5 in. (14.6 x 12.7 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.