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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 718:

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Olga Rozanova, Signed Suprematist Composition, Watercolor and Pencil on Paper - No Reserve

Live auction will start in __ days and __ hours

Start price: $800

Estimated price: $1,000 - $4,000

Buyer's Premium:

Description

Keywords: Russian Avant Garde, Suprematism, Cubo Futurism, Russian Futurism, Abstract Art, Geometric Abstraction, Watercolor, Pencil, Works On Paper, Signed Artwork, Valery Dudakov, Russian Art, Modernism, 20th Century Art

Summary:
Olga Vladimirovna Rozanova (Russian, 1886–1918), ‘Composition, ’ watercolor and pencil on paper. Abstract geometric composition constructed from intersecting angular forms in black, yellow, red, brown, and gray. Signed lower right. The reverse has a confirmation/attribution from Valery A. Dudakov. Provenance: Valery A. Dudakov.

Rozanova was a major figure of the Russian avant-garde whose work developed through Futurism and Cubo-Futurism toward increasingly non-objective and Suprematist abstraction. She worked closely with Futurist poet Aleksei Kruchenykh, illustrating experimental books and poetry, and by the later 1910s developed a highly individual approach centered on geometric form and color. Comparable documented works on paper employ gouache, watercolor and pencil in abstract and Suprematist compositions.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Visible: 13 3/4 x 9 1/4 in. (34.9 x 23.5 cm.), Frame: 19 1/4 x 15 1/2 in. (48.9 x 39.4 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.