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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 734:

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Albertus Verhoesen, In the Stable, 1852, Signed Oil on Canvas Painting

Live auction will start in __ days and __ hours

Start price: $800

Estimated price: $1,000 - $1,500

Buyer's Premium:

Description

Keywords: Dutch Art, In The Stable, Stable Interior, Farm Animals, Cattle, Horses, Chickens, Rooster, Genre Painting, Animal Painting, Oil On Canvas, Signed Painting, 1852, 19th Century Art, Dutch School

Summary:
Albertus Verhoesen (Dutch, 1806–1881), ‘In the Stable, ’ 1852, oil on canvas painting depicting a richly detailed Dutch stable interior populated with cattle, horses, poultry, and figures. Sunlight enters through an open doorway at left, illuminating the figures and animals against the darker stable interior. Signed and dated 1852.

Albertus Verhoesen was a Dutch painter known particularly for landscapes, farmyard scenes, and animal subjects. Born in Utrecht, he studied with Bruno van Straaten, Jan van Ravenswaay, and Pieter Gerardus van Os. He served as city drawing master in Amersfoort from 1834 to 1853 before returning to Utrecht.
Measurement: Art: 24 1/2 x 31 3/4 in. (62.2 x 80.6 cm.), Frame: 31 1/2 x 38 3/4 in. (80 x 98.4 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.