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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 738:

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William Stanley Haseltine Tivoli 1858 Ink & Wash Painting of Villa d'Este Gardens, Signed - No

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Start price: $1,000

Estimated price: $1,000 - $2,000

Buyer's Premium:

Description

Keywords: American Artists in Europe. Italian Landscape Paintings, Italian Palazzo, Italian architecture, Italy, Tivoli Gardens

Summary:
William Stanley Haseltine (Philadelphia, 1835 – Rome, 1900), pen, gray ink and gray wash on paper depicting cypress trees within the famed gardens of the Villa d’Este, Tivoli. Signed with initials and inscribed lower left “WSH / Tivoli 58.” Created during the artist’s early European travels, this refined sheet reflects Haseltine’s lifelong fascination with Italian scenery and architecture.

A Harvard graduate, Haseltine studied in Düsseldorf and traveled with notable American painters including Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt before establishing himself in Rome. His Italian landscapes were widely admired and collected by American patrons.

(Presents well Some Toning and overall age-related discoloration to paper with scattered foxing v, more concentrated to margins and verso. Minor waviness and light handling wear.)

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Visible: 23 x 18 in. (58.4 x 45.7 cm.), Frame: 32 3/4 x 25 in. (83.2 x 63.5 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.