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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 804:

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Jules Felix Coutan, 37" Figural Bronze Sculpture Of Aurora, Goddess Of Peace - No Reserve

Live auction will start in __ days and __ hours

Start price: $500

Estimated price: $600 - $800

Buyer's Premium:

Description

Keywords: Bronze sculpture, Goddess of Peace, Aurora, Winged victory, Jules Felix Coutan, Marble base, Helmet, Sword, 19th century, French sculpture, Figural art

Summary:
Jules Felix Coutan , after, An Impressive 37" Bronze sculpture depicting "Aurora", Goddess of Peace on a marble base.Maitland Smith Casting Jules Felix Coutan was a student at l’Ecole des Beaux-Arts in Paris in 1872, Coutan was the recipient of the prestigious Prix de Rome, which afforded him the opportunity to study in Italy for several years. Upon his return to Paris, he had his debut at the Paris Salon to much attention and acclaim. One of the most sought-after artists for grand public commissions, Coutan sculpture was known for his elegant allegorical sculptures. His wonderful bas relief plaque of an allegorical depiction of victory as a winged figure on horseback reveals the sculptor at his most masterful; the taut yet subtle muscles of the horses legs, the delineated feathers of the wings, and the delicate modeling which creates an interplay of light and shadow creating a sense of depth and motion. Coutan was named a professor of art at l’Ecole des Beaux-Arts in 1900.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: 37 x 15 in. (94 x 38.1 cm.)

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.