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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 209:

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Marcel Dyf Signed Daffodils Still Life Oil on Board Painting - No Reserve

Live auction will start in __ days and __ hours

Start price: $1,000

Estimated price: $1,500 - $4,500

Buyer's Premium:

Description

Keywords: French Art, Oil Painting, Oil on Board, Still Life, Floral Still Life, Daffodils, Flowers, Flower Painting, Vase, Earthenware, Textile, Post-Impressionism, Impressionism, French School, Pierre-Auguste Renoir

Summary:
Marcel Dyf (French, 1899–1985), large oil on board still life painting depicting an arrangement of white daffodils in an earthenware jug, set against richly patterned textiles. The softly modeled flowers and vessel contrast with the colorful decorative fabric surrounding the composition.

Dyf was a French painter known for floral still lifes, landscapes, and figural subjects. His work reflects the influence of French Impressionism and Post-Impressionism, particularly the luminous color and painterly approach associated with Pierre-Auguste Renoir. Dyf subsequently developed a distinctive style characterized by warm color, soft light, and expressive brushwork.

Signed ‘Dyf’ lower right. First half of the 20th century.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 29 1/2 x 20 3/4 in. (74.9 x 52.7 cm.), Frame: 38 1/4 x 29 1/4 in. (97.2 x 74.3 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.