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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 317:

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Authorized Pablo Picasso, Guernica Preparatory Study No. 16, 1990 Facsimile Print - No Reserve

Live auction will start in __ days and __ hours

Start price: $50

Estimated price: $200 - $400

Buyer's Premium:

Description

Keywords: Spanish Art, Modern Art, Cubism, Figurative Art, Preparatory Study, Facsimile, Limited Edition, Portfolio Print, Salerno Editrice, SPADEM, Heirs Of Picasso, Prado Museum, 20th Century Art

Summary:
Authorized print after Pablo Picasso (Spanish, 1881–1973), reproducing Preparatory Study No. 16 for Picasso’s monumental 1937 painting ‘Guernica.’ Depicts an expressive reclining female figure with a child, rendered primarily in line. The original study is dated 9 May 1937 (III), reproduced within the image.

Issued in 1990 as part of a limited edition of 999 prints of Picasso’s preparatory studies for ‘Guernica, ’ published by Salerno Editrice S.r.l. and printed by Akademische Druck- u. Verlagsanstalt, Graz, Austria. The edition was produced with approval of the Prado Museum, SPADEM, and the Heirs of Picasso. Reverse with edition/authenticity stamps associated with the portfolio.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Visible: 17 3/4 x 9 1/4 in. (45.1 x 23.5 cm.), Frame: 24 x 15 3/4 in. (61 x 40 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.