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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 39:

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Andre Lanskoy, 'Composition' Signed Abstract Gouache Painting - No Reserve

Live auction will start in __ days and __ hours

Start price: $400

Estimated price: $1,000 - $3,000

Buyer's Premium: 25%

Description

Keywords: Russian French, Abstract Art, Abstraction, École de Paris, School of Paris, Modernism, Modern Art, Post War, Colorist, Geometric Abstract, Biomorphic, Gouache On Paper, Works On Paper, 20th Century

Summary:
André Lanskoy (Russian-French, 1902-1976), Composition. Gouache on paper painting abstract composition.

Born in Moscow, Lanskoy settled in Paris in 1921 and became associated with the École de Paris. His work attracted attention following his participation in the Salon d’Automne in the 1920s, and he exhibited alongside artists including Robert and Sonia Delaunay, Léopold Survage and Ossip Zadkine. Although his early work retained figurative elements and reflected the influence of artists including Vincent van Gogh, Henri Matisse and Chaïm Soutine, Lanskoy increasingly turned toward abstraction during the 1930s and 1940s. His mature compositions are particularly recognized for their vibrant color, interlocking forms and rhythmic, mosaic-like construction.

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Visible: 20 1/2 x 43 1/2 in. (52.1 x 110.5 cm.), Frame: 26 1/4 x 49 1/2 in. (66.7 x 125.7 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.