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THE FALL EXCEPTIONELLE SALE DAY 1

Lot 40:

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Irving George Lehman, Abstract Dancers Signed Gouache Painting - No Reserve

Live auction will start in __ days and __ hours

Start price: $200

Estimated price: $300 - $600

Buyer's Premium:

Description

Keywords: American Modernism, Abstract Expressionism, Figurative Abstraction, Dancing Figures, Performers, Gouache, Painting On Board, Mid-Century Art, New York Artist, WPA Artist, Avant-Garde, Signed Art

Summary:
Irving George Lehman abstract gouache painting on board with dancing performers, signed lower left.

Irving Lehman studied at the Art Students League and Cooper Union in New York City, eventually becoming a Member of the American Artists Congress, American Abstract Artists and other contemporary avant-garde groups. With many others he worked on the WPA. Exhibitions: Whitney Museum, National Academy, Albany Institute, Brooklyn Museum PAFA, and numerous important American and European institutions and galleries. Awards: His work won international acclaim from England – Israel – Paris, while he is primarily accorded a permanent place in American Art History as member of the New York School of Abstract Expressionism

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Measurement: Art: 29 x 23 1/2 in. (73.7 x 59.7 cm.), Frame: 30 1/2 x 24 3/4 in. (77.5 x 62.9 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.