logoooo

THE FALL EXCEPTIONELLE SALE DAY 2

Lot 614:

prev Back to the catalog next

Mattheus van Helmont (attrib) Dance Tavern Oil Painting on Canvas, Flemish

Live auction will start in __ days and __ hours

Start price: $1,500

Estimated price: $2,000 - $3,000

Buyer's Premium:

Description

Keywords: Flemish School, Tavern Scene, Peasant Dance, Genre Painting, Oil On Canvas, Interior Scene, Figural Painting, Musician, Village Life, European Painting

Summary:
Mattheus van Helmont (attrib) Flemish School oil on canvas painting in the style of Mathis van Helmont. Depicts a peasant dance in a tavern interior, with a central dancing figure, seated guests, musicians, and figures gathered around tables in a dimly lit interior.

Mattheus van Helmont, was a Flemish painter specialized in genre scenes of interiors and village scenes. He was influenced by the style of David Teniers the Younger and Adriaen Brouwer and developed his own personal style towards the final phase of his career. He spent most of his active life in Antwerp but moved to Brussels later. Mattheus van Helmont was born in Antwerp where he was baptised.. Mattheus first joined the Antwerp Guild of Saint Luke as the son of a master and became a full master in the Guild
Measurement: Art: 34 x 48 1/2 in. (86.4 x 123.2 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.