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THE FALL EXCEPTIONELLE SALE DAY 2

Lot 835:

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Nuremberg Madona, Susse Freres Bronze Signed Sculpture 19th C. model often attrib.Dominique Alonzo

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Start price: $300

Estimated price: $500 - $2,500

Buyer's Premium:

Description

Keywords: Religious Sculpture, Devotional Figure, Ecclesiastical Art, Fin de Siècle, Susse Freres style, Bronze, 19th century, Foundry cast, Madonna figure, European sculpture

Summary:
This is a bronze sculpture titled "Nuremberg Madonna", this model is often attributed to sculptor Dominique Alonzo. “Susse Frères Éditeurs” Patinated bronze sculpture modeled and cast with great detail and bearing the foundry seal for Susse Frères, Paris, one of the most prominent French bronze foundries of the late 19th.
Measurement: 17 1/4 x 4 1/2 x 4 1/2 in. (43.8 x 11.4 x 11.4 cm.) approx

Condition: Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA’s should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions.  Accordingly, works are sold as  ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.